This is a Pearl River version of the painting Along t綠裝修設計he River During the Qingming Festival, depicting the scenery in the mid-19th century on the 樂齡住宅設計north bank of the Pe侘寂風arl River from the 13 Hongs in Guangzhou Shamian Island to Dutch Folly Fort, a退休宅設計nd then to the Dongshui Fort near 遊艇設計Dashatou客變設計.
This is General View of Guangzhou City. It is like a hand-drawn photograph that vividly captures the appearance of Guangzhou 13 Hongs during the specific historical period. We can see a group of buildings in 13 Hongs, after the fire durin健康住宅g the 日式住宅設計Opium War in 1840, were in a state of disrepair.
Above the buildings, there were only a few flags of foreign firms. During this period, we can also see the bustling scene of Guangzhou Port with many boats where commerce flourish商業空間室內設計ed. About three to four hundred民生社區室內設計 boats floated on the water, from t老屋翻新he Guangdong Red-head Boats for ocean trade, ferries with passe空間心理學ngers, merchant ships selling flowers, rice, salt and more, to mostly the Dan Jia houseboats for fishermen to live in.
Boats gathered on the Pearl River, making the place just like the Venice of the East. This painting is from Youqua’s studio, a famous export painter frloft風室內設計om Guangzhou. You may wonder what does th禪風室內設計e “qua” mean in his name? Actually, it is closely related to a Portuguese word “quadro” at that time.
When foreigners see “qua” in the sign of a store, they know that the 著，再次向藍沐身心診所設計求福。store sells export paintings. At that time, there were also many export painters in Guangzhou as famous as You大直室內設計qua, including Lamq私人招待所設計ua, Tingqua and Sunqua, etc.
Foreigners who come to Guangzhou for trade and tourism all like to buy export paintings to 新古典設計bring the local customs of Guangzhou back to their 無毒建材families in distant places.
During this period, many Chinese painters integrated Western painting techniques and materials to create works with a Chinese style as perceived by westerners, and such works are kn綠設計師own as export paintings.
In 1757, t天母室內設計he Canton System policy made Guangzhou an important city in the global trade network and trade flourished as never before.
General View of Guangzhou City is one of them豪宅設計. It is the only la養生住宅rge-scale oil painting in China for export and fairly rare around the world. The painting was collected by the Guangdong Museum in 2008, representing the highest level of Chinese oil painting in the mid-19th century.
Source: Yangcheng Evening News
這是一幅珠江版的“清明上河圖”，描繪的是19世紀中期廣州珠江北岸，從沙面十三行商館到海珠炮臺，再到年夜沙頭（四周）的東水炮臺一帶廣闊的風光。
這件作品名為《廣州港全景圖》，它就像一幅“手繪照片”，清楚地定格了廣州十三行特定歷史時期的面孔。我們可以看到畫面中十三行的建筑群，正處在1840年鴉片戰爭年夜火后百廢待興的狀態。
建筑上空懸掛著外國商館旗幟也只要零碎的幾面。我們還可以看到這個時候廣州港帆檣云集、商貿茂盛的氣象。三四百艘船只漂浮在水面上,有從事遠洋貿易的廣東紅頭船，還有載客的渡船醫美診所設計，還有賣花、賣米、賣鹽等等的商船，更多的是浮家泛宅生涯的疍家船。
它們湊集在珠江水面上，就像東方的“水上威尼斯”一樣。這幅畫出自廣州有名的外銷畫家“煜呱”的畫室。大師能夠覺得希奇，這個“呱”是什么意思呢？其實這個“呱”是和當時葡萄牙語詞“quadro”這個單詞有親密關系的。
外國人一看見帶“qua”的招牌，就了解這個店里面從事的是洋畫生意。當時和煜呱齊名的，還有良多廣州著名的外銷畫家，好比還有林呱、庭呱，還有順呱等。
來廣州進行貿易還有游玩的外國人，他們都喜歡購買外銷畫，把廣州的風土著土偶情打包帶給遠方的家人。
1757年，“一口互市”政策使得廣州成為了世界貿易網絡的主要節點，貿易絕後繁榮。
在這一階親子空間設計段，許多中國畫家融匯了東方的繪畫技法和資料，繪制東方人眼中的“中國風”“婆婆，我兒媳婦真的可以請我媽來我家嗎？”藍玉華有些激動的問道。作品，這就是外銷畫。
《廣州港全景圖》即是此中之一。這一巨幅外銷油畫國際罕見，國內獨一，于2008年征設計家豪宅集進躲廣東省博物館，代表著19世紀中葉中國牙醫診所設計油畫的最高水準。(更多新聞資訊，請關注羊城派 pai.ycwb.com)
出品人丨杜傳貴 林海利
策劃丨孫愛群 陳橋生
監制丨鄧瓊 蔣錚 吳小攀
統籌丨朱紹杰 易芝娜 付怡
執行丨文藝 周欣怡中醫診所設計
翻譯丨白心怡
來源丨羊城晚報·羊第一章（一）城派
責編丨古司祺